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To sprawl, spread, and swell is the nature of mythology. The final incarnation of that project, 11 years in the making, took over the Cutler Majestic Theatre all day on Saturday. Bostonians and new music enthusiasts may have been familiar with one of the three offerings, all of which have libretti by Jacobs.
Nordic Mysteries: The Millennium Trilogy
The cycle can be started at any point but must go in the same direction. Madame White Snake, the subject of the original legend, appears in each opera. She wheeled through Queen of the Night-esque coloratura fireworks in a pining Act I aria, and pulled the tides back to sweetly plead for her freedom in the final scene.
Her acting was at its best when she was separate from the object of her ardor, tenor Peter Tantsits as a bold-voiced but slightly wooden Xu Xian. The legendary love might have been more convincing if the lovers had looked at each other once in a while. In the final betrayal scene, her white dress replaced by a bare pregnant belly and blood-red raiment, the two showed a first hint of connection.